In July of 2012, my partner and I embarked upon a two and a half month-long backpacking trip across Morocco, Turkey, and several countries within Europe with the intention of creating a book of photographs. What emerged from the photographs became evidence of each others’ perspective on our own relationship between one another, comfort and discomfort, curated experiences versus self-created ones, and expectation versus actual experience. Throughout the trip, the only consistent form of structure was the company of one another. Time became elastic and weeks departed from what our knowledge of a “week” meant. We created an array of photographs which emote our sense of constant displacement, yet with a care that expresses a deep love of travel and discovery. These are a selection of photographs I made for Sea Blues.
In July of 2012, my partner and I embarked upon a two and a half month-long backpacking trip across Morocco, Turkey, and several countries within Europe with the intention of creating a book of photographs. What emerged from the photographs became evidence of each others’ perspective on our own relationship between one another, comfort and discomfort, curated experiences versus self-created ones, and expectation versus actual experience. Throughout the trip, the only consistent form of structure was the company of one another. Time became elastic and weeks departed from what our knowledge of a “week” meant. We created an array of photographs which emote our sense of constant displacement, yet with a care that expresses a deep love of travel and discovery. These are a selection of photographs I made for Sea Blues.